Krafty Kuts & TC Izlam Tour Announced
Author: Cpt Stuebing
Thursday, December 1, 2005
Krafty Kuts is back with a difference. This time at 5 special shows he will be performing some of his huge hits with the unstoppable man on the mic TC Izlam, bringing to life favourites Ill Type Sound , Come Alive and Tricka Technology plus some brand new tracks. One of Australia s best loved DJs, for his sets comprising party hip hop, revving funk breaks and booming basslines and his incredible benchmark mix CDs such as 'Fuzzy Breaks vol 1', 'Slam the Breaks On' and 'These Are The Breaks', this is one show of deck-sterity you don t want to miss. Danger! Set the fire warning to high and watch the sparks fly.
KRAFTY KUTS AND TC IZLAM
Perth: Breakfest Monday 26th December
Magnetic Island: Base Bar Saturday 31st December
Sydney: Field Day Sunday 1st January
Newcastle: Nutshell Breaks Friday 6th January
Gold Coast: Summafieldayze Saturday 7th January
KRAFTY KUTS
Adelaide: Tonic Bar - Thursday 29th December
Coffs Harbour: Plantation Hotel Wednesday 11th January
Hobart: Halo Friday 13th January
Auckland: Viper Rooms Saturday 14th January
Wellington: Sandwiches Sunday 15th January
Queenstown: Subculture - Tuesday 17th January
Melbourne: QBH - Friday 20th January
Canberra: ANU Refectory Saturday 21st January
Kiama: Kiama Inn Hotel Sunday 22nd January
Plus more to be announced
Reewind! 2001:
"While it is reaching a level of success, breaks still is underground. Basically it was ruined by the commercial big beat sound where the huge record labels came in and made everything cheesy by sampling old vocals and guitar riffs from songs. I always stayed away from that and while I occasionally used samples they weren't cheesy but original sounds that I spent years trying to find. After the big beat phenomenon really destroyed itself the break beat sound went back to its roots for a while and even with the recent popularity of Nu Skool breaks and the like it is still quite underground and hasn't really charted yet or gone into the mainstream. This is good because it gives the sound a decent length of time to nurture and develop."
Taken from Krafty Kuts interview written by Terry Goldfain and originally featured in dB magazine
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